One of Marvel’s Avengers Turns to Sign Language. The story strives to connect readers with what he is experiencing: when he can’t hear, the word balloons on the page are blank. The comic also makes extensive use of sign language, but provides no key to interpreting them. “If nothing else, it’s an opportunity for hearing people to get a taste of what it might be like to be deaf,” Mr. Fraction said.

zohbugg:

cleolinda:

cinematicnomad:

apparently e.l. james called former child star mara wilson (matilda) a “sad fuck” for critiquing the 50shades books a while ago and now there’s a feud. i love it.

MATILDA’S SHADE GAME IS SO STRONG I LOVE IT

A message from sagakari
Hey brother love your work! I was curious if you had any tips on coloring characters and the influence of light source on shading. You have a great handle on all of these concepts. By the way I've preordered your sketchbook so thank you in advance.
A reply from robscorner

Thanks, man! :D

I’m sure many have written about this in-depth and can be found around on the net but I can ring off a couple straight tips from the top of my head:

  • Learning the form is the key to creating believable lighting, and that will give you a huge jump in understanding it without much need for referencing. The planes that are affected when light hits it from different angles, the shadows that are casted, etc. You have to basically think 3-dimensional. In addition, you have a human body right on you to assist you further. Grab a mirror and some lights and study up! You should also understand how contrast works as well.
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Click image to view explanation of this.

  • When it comes to coloring and painting, I don’t pick colors. Like shown above, I use a base palette and then I let the knowledge of lighting control things from there. My shadows are typically all the same color, same as my highlights, and I use them with specific layer blending modes. It’s the closest to working in real life, because lighting always affects color. It’s accurate and really simple to understand once you get used to coloring in this way.
  • Learn about temperature! Shadows should not be pure greyscale/black as that will make the image’s colors dry and dull. I tend to go for cooler shadows (purples/blues) and warm highlights (yellows/oranges) in my work. 
  • With proper environmental lighting, a character will never be their base color. I made an example above. Only purest white light surroundings (“Balanced”) is when tones would appear at its most unadulterated. So when I color an image, I color the character in their base palette, and then I use Gradient Maps (a Photoshop tool) to influence the mood and temperature of the illustration. (I will write a more in-depth explanation on using Gradient Maps when I find the time to). It’s all depending on the illustration I’m working on. If I’m coloring a character in the middle of a blizzard, I wouldn’t use any kind of warm lighting. I’d use blues and teals in my Gradient Maps. On the other hand, if I’m coloring characters in a desert-like setting, I’d use a lot of yellows, oranges, and browns in them.

So these are the basics that I apply all the time with my work! I hope it helps. ^^

I have additional tips and resources on my dA here!

wolvensnothere:

thepurposeofplaying:

alljustletters:

narcomanic:

narcomanic:

i’m pretty sure this twitter account is how sexting works in night vale

i mean really

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what is going on here

this is officially my new favourite thing

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thank you for sharing it with us

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SEXTS FROM THE VOID

mbt1991:

yamino:

shugarskull:

Yeon Woo Jhi

*fans self*

I think the juxtaposition of the bounce house in the first couple of pictures makes this set. 

barefootdramaturg:

jewlesthemagnificent:

oldtobegin:

velveteenrabbit:

englishpracticenow:

commonly misused words - learn the proper usage of these words to get your way up to any English proficiency exams - IELTS, TOEFL, GRE, etc.

2,000 notes.

JERKING OFF TO THIS

OH GOD LESS VERSUS FEWER THANK YOU FOR ACKNOWLEDGING MY PERSONAL GRAMMATICAL VENDETTA.

By accident. On purpose. Never on accident.

alluringalliteration:

wigmund:

meximeximan:

why don’t you make like a tree andwoah

Birnam Wood’s on the march

#Macbeth fandom takes a post

alluringalliteration:

wigmund:

meximeximan:

why don’t you make like a tree and

woah

Birnam Wood’s on the march

hisblackdress:

Additional details and more fun looks can be found over at HisBlackDress.com, so check that out! The tights in this OOTD are courtesy Donaltellas.com; go check out their awesome range of plus size tights!

Just like in my last OOTD post, here’s another outfit put together around an awesome pair of tights, this time the candy heart print tights from Donatella’sOne thing I’m really digging about this outfit (besides the totally cute tights) is the X’s and O’s in the look via the belt, shoes, and sunglasses. It’s just a bit of a fun little thing to tie in with the heart print, mostly because I love you all. Keep rockin’! xoxo<3

sherlocksmyth:

THOU = “YOU” WHEN YOU’RE FUCKING DOING SOMETHING.

THEE = “YOU” WHEN YOU’RE HAVING SOMETHING FUCKING DONE TO YOU.

THY = “YOUR” AND “YOURS” WHEN THE THING YOU OWN BEGINS WITH A FUCKING CONSONANT.

THINE = “YOUR” AND “YOURS” WHEN THE THING YOU OWN BEGINS WITH A FUCKING VOWEL.

IF YOU’RE GOING TO MAKE SHITTY EARLY MODERN ENGLISH TEXT POSTS, DO IT RIGHT.

Escape from Tomorrow is a 2013 American fantasy-psychological horror film, the debut of writer-director Randy Moore. Its about man having increasingly disturbing experiences and visions during the last day of a family vacation at the Walt Disney World Resort.

It drew attention because Moore had shot most of it on location at both Walt Disney World and Disneyland without permission from The Walt Disney Company, owner and operator of both parks. Due to Disney’s reputation of being protective of its intellectual property, the cast and crew used guerrilla filmmaking techniques to avoid attracting attention, such as keeping their scripts on their iPhones and shooting on handheld video cameras similar to those used by park visitors. After principal photography was complete, Moore was so determined to keep the project a secret from Disney that he edited it in South Korea. Sundance similarly declined to discuss the film in detail before it was shown. It was called “the ultimate guerrilla film”. (x)